Art Exhibition Title: Exiting Egypt
Delve into the world of intense life, water, blueness which leads to idealism, otherness, depicting the primordial, ancient, questioning reality and advocating morality. The artwork has been created in the last several months, deeply inspired by our visiting Egypt together last October.
Introducting the narative of collection
Curatorial Statement: Will to Balance while exploring the extremes in four stages
105, 105 twice, and so we are two times of 105 lunar days removed from the point of Exit from Egypt, this exhibition was marked by this number two times while in Egypt and in our Time (ruler of all) dominant existence the opening is exactly this many days distant from the Exit hence the title. This is a visual, sensory and participatory journey through wonder between the worlds around both visible and invisible and the will to power within and how the interaction lead to civilization so powerful and yet, the time grinds, transforms, over and over creates a human mass, people whose existence is only justified by the thoughts and deeds. The innocence nurtured and the harsh reality that can’t touch it are all captured in this series of artworks. From primordial to mellow to harsh to ruthless, pure power, to consciousness and subconsciousness striving, survival instinct that we are not even aware of, self observation. Anubis, Ancient Egyptian God of Justice, in Bible paralleled with Archangel Michael is interwoven through several pieces and especially relating to Participatory room of sins, writing, shredding, weighing sins against the reflective aluminum foil of our technology, cold and distant and yet aluminum wrap is the only one that saves life from hypothermia. Pieces are installed in three plus one stages akin to Psychological transformation of an individual through time as Jungian philosophy defines 1. The Athlete stage, 2. The warrior stage, 3. The Statement stage, 4. Sage/spirit state.
The 1. with art pieces situated at the lower floor, depicting the joys of life, sea, purity, idealism, the start of life occupying the first floor, abundant in water, sea, sky seemingly infinite but definitely finite as we look at the planet, and so it is with our body, ego, appearance
The 2. with art pieces situated through hallways, depicting the power, will to create, conquer, triumph the physical world by creating mega structures like pyramids, almost defying time but not really and so it is with our success, achievements, personal power, again a finite category
The 3. with art pieces situated at the first floor is about reflection, truth, honesty, true values and contribution to the world, a statement stage belonging to infinite category because the time keeps us moving and only the deep truthfulness and genuine passes on like an infinite spine of DNA chains
The 4. with the participatory art piece situated in the room at the entrance reflecting infinite lights and options belongs to the Sage stage, where ego is shredded to pieces, everyone is a part of all and all belongs to individual, as Jung calls Individuation is at stage in here and only those passing Anubis can truly face it, can you face it? ustom CSS to this text in the module Advanced settings.
Irina Ideas artwork inspired by Egypt last couple of months
Extract from one of the finishing paintings in the series
“Whereas the upper layers of delights and lighthearted existing belongs to the safe world our future might bring and devoid us from power at the same time. In its imbalance, I hope for balance in Mediterranean style, glad to be back home in a golden middle.”
Triptych Cosmic Laughter
Triptych comprising of left, heart side of the body, depicting the mythological ancient Egyptian characters highly evocative of birth and death and right, rational side of the body again diving into the ancient explanation of the world
Irina Ideas short bio
Irina Ideas a multidisciplinary artist, born in Montenegro, made of foreign genes and exported at an early age to Western Europe and USA, later China. An international career was started at an early age as a classical pianist, later expanded into the domains of painting, sculpture, writing and futurism while playing with sustainable and business sectors. Studied wide spectrum of subjects and trying to understand this phenomenon we call life, madness of society and time/space/gravity. Now actively involved in the domain of art between time based arts (music,video, AI) and space based arts (visual), publishing www.musebuz.com about artists and demystifying art to wider audiences through live streams and other participatory digital windows to the world.
As an active multidisciplinary artist participating in the international residences, exhibiting work both in physical localities and online presence and recently is researching, experimenting and publishing about technology and how it is merging with the society and our shared future, also often touching upon the topics of psychology, philosophy, future of work, mythology and history, some of the writings reflecting different facets of various “unrelated” fields are available on personal website www.irinaideas.com.
Some of the selected pieces for Exiting Egypt exhibition
Artistic Expressions
Magnetic disobedience
Optimism emerges, pushes away the gravity pull, magnets get confused, those enemies of the straight lines. What I is becomes an enemy of straight lines because nothing is ever straight, no matter how much we try
The optimist’s burden
Optimistic creature containing deep depression, aged from alienation and depression and yet positive, happy go lucky with marks from commercialism all around, the head is morphing into something striving forward and upward. The nose and blind spots are filled with Red sea in blue
The cage that surfs time
Internal cage, belief system and for some it is the only way to feel safe and to break lose from it, just like Monte Cristo in Alexandre Dumas had to face harshness of this world and escape the imposed iron bars so do we all, living among the obstaclesles
Born of shell and sky
A bird of pray, the first thing seen upon facing the Red sea, flying high and low unrestricted and yet came out of the most restricted environment, a shell that s/he had to break through in order to face and interact with the world in a soft way
diptych Harnessing light breaking shells
Diptych how lines of limitations help contain the light and shark like figure harnesses it all, triumphing with time, surfing
Diversity rises where the dust falls
A death from desert for it is finite, surrounded by infinity of darkness, whips, energies, entities, floating vertically from one end of infinite to another, in many colors just like Civilization is making itself powerful being comprised of everything, diversity and erudition ensure longevity
The puzzle of time's womb
Birthing the new world, a portal between the world, a mystery, elongated face and yet it is not a face or an animal, it is more static and not as susceptible to influence of time, it stands still while the time moves, Aerodynamic is powerful around it so it is faster and yet stands still, it is a puzzle of time turning while we make our bloody steps all over it
Some of the selected pieces for Exiting Egypt exhibition
Artistic Expressions
Kheperu em Ma’at (“Becoming in Balance”)
Where Instinct Meets Light
Between primal instinct and philosophical intuition, how thick or thin the line is where we have to trigger those surviving lines, unconscious actions, will to power as Nietzsche calls, I somehow always associate the -striving from the abyss to the sun-
Whereas the upper layers of delights and lighthearted existing belongs to the safe world our future might bring and devoid us from power at the same time. In its imbalance, I hope for balance in Mediterranean style, glad to be back home in a golden middle.
The cycle of the sun through the abyss
solar cycle of Ra: Every night, the sun god Ra journeys through the Duat, fighting darkness and chaos, only to rise again in the east. This reflects the heroic, eternal striving toward the sun, overcoming the abyss.
primal echoes of the infinite
Primal force that comes from the invisible, infinite mystery, somewhere between the universes and lightly overlaps with biological world, jokes with the space, time and gravity as we try to figure out, as ancients figured out more somehow they knew
Aaru Balance beyond death
Field of Reeds (Aaru): The Egyptian paradise—a serene, light-filled, and balanced world for the justified dead. Egyptians were aware of the stagnating dangers so they emphasized ritual, offerings, and struggle even in death, to maintain cosmic energy.
Thematic Exploration and Artistic Inspirations
Participatory art pieces, incoming data and instruction closer to the date of opening of exhibition
A Journey through Egypt written by Margot Ammermann
Traveling through Egypt we embarked on a journey filled with excitement,
magical curiosity and a quiet sense of trepidation. We had been warned about
Egypt’s deep undercurrents—its supernatural mysteries, its darkness, its
ancient weight—and this only intensified our anticipation.
The first stop was Sharm El Sheikh, where the initial experienced of Egypt
was at a surface level. The vibrant marine world beneath the Red Sea
captured the imagination, unexpected colours, textures and a vibrancy of life.
It is a place of natural wealth where beauty is measured not in material riches
but in the exquisite enthralling spectacle of like beneath the surface. This
richness inspired my first artworks, which celebrate the dazzling beauty and
vibrant mood of the underwater world.
As we journeyed down towards Cairo, we encountered the familiar symbols
often associated with Egypt: the Sphinx, the Mummies, the Deserts, the
towering ancient structures, the Pyramids.
It was through meeting the local people that a deeper layer began to reveal
itself. Stories of history, conflict and survival unveiled a complex tapestry of
chaos and resilience, shaped by centuries of struggle.
This exhibition traces those three pivotal stages—discovery, expectation, and
deeper understanding. Each artwork reflects my evolving perception of Egypt,
from its radiant surface, through its iconic landscapes, to the profound,
sometimes shadowed stories that pulse beneath the supernatural, the magical
and the unexplained.
Margot Ammermann short bio
Margot Ammermann, born in South Africa, and she is an artist of rich cultural heritage, blending German, Irish, Polish, and Jewish roots. She spent 44 years living and studying in South Africa before relocating to the serene landscapes of Montenegro.
With a degree in textile design and over two decades of experience running her own antique business, Margot has developed a keen eye for design, colour, and aesthetic balance. Her deep passion for form, placement, texture, and styling is evident in every aspect of her creative work.
A transformative visit to Egypt became the catalyst for her collaboration with fellow artist Irina Ideas. Together, they have produced a captivating collection of vivid, thought-provoking pieces that evoke mystery, charm, and a subtle sense of unease.
We invite you to immerse yourself in this intriguing world inspired by Egypt — a journey of art, emotion, and exploration. Enjoy the experience with us.
Discover the Creative Essence
Artistic Expressions
Secret Garden – acrylic on canvass
Coral City 1 and 2 – acrylic on canvass
These two pieces above plus third pieces underneath capture the vibrant colours and the thriving life beneath the
surface of the Red Sea. Through dynamic hues and fluid forms they invite you
to explore the richness and energy of this underwater world capturing the way
light filters through the water.
Look deeply into the colours—let your imagination drift, be drawn into the
rhythm and vibrancy of this oceanic realm. Allow the artwork to pull you into a
space where colour, movement, and life seamlessly intertwine.
This underwater kingdom is not filled with gold or ancient relics but riches of a
different kind, bioluminescent corals shimmering like lost gems, intricate
formations sculptured by time, with exotic marine creatures weaving through
the shadows like whispers of forgotten legends.
“Whispers of the Abyss”- Acrylic on canvas
This piece was inspired by a journey off the coast of Sharm El Sheikh, far out
at sea. Unlike the vibrant, thriving marine life found closer to untouched reefs,
this side of the experience felt different—less colour, less life, a more subdued
and introspective world.
But beyond the natural quiet, there was another layer—a space marked by
human presence. The chaos of boats, the buzz of tourism, and the signs of
commercialization has left their imprint, tinting the experience with a sense of
disruption, sadness and loss.
It’s a reflection on contrast, beauty and interference, solitude and noise, the
natural and the impacted. Step into this piece and feel the tension between
wonder and the traces we leave behind, plastic coral and human pollution.
Silent Witness – Acrylic on canvas
This piece captures the deceptive simplicity of the pyramids —monolithic,
geometric, and timeless. Against a vast open sky, the pyramids stand in stark
contrast, their clean lines and muted tones evoking a sense of calm and
permanence. But beneath the surface burnt umber bleeds through the golden
sands, echoing the bloodshed and turmoil of ancient conquests, there is a
chaos hidden within, destroyed and rebuilt over millennia.
The composition is minimal yet still invites the viewer to question the stillness
of history. The pyramids are not just tombs; they are silent witnesses to the
extremes of human ambition—power and collapse, creation and destruction,
order and chaos.
Room with no view – acrylic on canvas
A window opens onto an empty desert—a barren landscape that invites
contemplation yet offers no solace. Room with No View explores the reality of
deception, subtly infused with the undertone of Cairo, where layers of ancient
history and modern civilization collide. The brushstrokes, fluid and restless,
echo the desert winds, symbolizing movement, uncertainty, and the transient
nature of truth.
The window, a universal symbol of perspective and possibility, here becomes
a metaphor for empty promises and moral ambiguity. The desert’s muted
palette—earthy ochres, dusty pinks, and soft gold’s—mirrors the complex
duality of truths and untruths embedded in history, particularly in spaces
where the power of pyramids looms over contemporary life.
This painting wrestles with unexplained mixed emotions, where deception is
not merely a lie but a nuanced construct shaped by time. It confronts the viewer with the fragile boundary between what is seen and what is real, what is offered and what is withheld.
Treasures of Time – Acrylic on canvas
Treasures of Time is an evocative acrylic on canvas inspired by a journey
through Egypt’s ancient mysteries. Layers of gold shimmer across the piece
and traces of lapis blue symbolize the wealth and sacred treasures buried
beneath the shifting dunes, embodying the relentless pursuit of power and
survival. The painting transcends time and space, weaving together themes of
magic, loyalty, and belief, yet beneath the grandeur lays the decay of human
ambition—remnants of a civilization both glorious and self-destructive. The
contrast of opulence and erosion invites the viewer to reflect on history’s
eternal cycle of rise and fall.
Cyclical dreams – acrylic on canvas
Here we have collison of the worlds, between dream and reality, one melting and the other firming, again a deeply Egyptian theme of dualism between fire and just about enough fire for life to persist. Triangular patterns are evoking of tents and passage of time because everything goes in circles but has to move in triangular leaning.
Constructing the dream – acrylic on canvas
A lush colors, read overpowering and festive at the same time signifies the passion that we felt hidden under cloths, under sand, under chaos, buildings were almost floating in all that heat and this is what we see in here, merging between the fire and the flow of life while individually constructing a dream became so much easier surrounded by such a powerful ancient history
Chaos of Cairo - Fluid acrylic on canvas
This artwork captures the restless energy of Cairo and the supernatural
undertones of a city driven by a rhythm of organized chaos. Beneath the
surface of it’s busy streets lies a darker, more complex layer of history and
struggle – slavery, plagues, famines
The gold paint represent wealth, power, and the allure that has drawn people
to this city for centuries. The red signifies the blood that has been spilled
throughout its long, turbulent history—a reminder of conflict, sacrifice, slavery
and resilience. The black creeping in symbolizes the darkness, oppression
and sadness that one can feel at each turn.
The sense of distrust and cunningness lingers.
Here’s a concise and cohesive summary of your Egypt artwork series,
capturing the evolution, themes, and emotional depth of your journey
Deshret - The Red Land - Fluid actylic on canvas
Through layered textures and dynamic forms, this work captures the many
dimensions of Egypt—its history, its restless energy, and the complex beauty
found in both its architectural structure and its underlying disorder. The fluid
art technique, combined with carefully hand-painted elements, reflects the
chaotic yet intentional layering of experiences that shape our understanding of
this place.
The flowing gold tones speak to wealth and opulence, while deep reds
represent life, blood, and sacrifice. Beneath these, an underlying darkness
threads through the piece, symbolizing corruption, hidden flaws, and the
shadows of power.
Egypt is a country of mixed energies—the business of life, the sadness, the
tension between materialism and superficial appearances, and the resilience
beneath it all. The visual movement within the canvas mirrors this constant
push and pull, where beauty and imperfection coexist.
Ultimately, this painting invites the viewer to explore the layered realities of
Egypt, much like the nation itself—a place where every surface conceals
another story.
